For quite some time I have been feeling a
little despondent; it is mainly to do with this idea of the
“Institutionalization of African Art”. Writing out an oral culture, which is
clearly impossible, an oxymoron in fact. This talk really harps back to the days
of dependency and that omnipresent hangover of Colonialism. The questioning of,
who exactly is qualified to talk on the subject of Africa? This is a matter of
control. It is an ugly way to find order and gain rights to have opinions and
what and whose opinions matter? To take charge of the way in which the words
are placed and what phraseologies work best, sadly now, these inconsequential
issues are of enormous importance. This maybe so today, but was never so in the
recent past or beforehand. Personally, my passion for Contemporary African Art
stems from the easy ignorance, that enlightening lack of education and the
freedom to play with the idea of a brave new world. Its very strength lay in
its lawlessness and nonconformity. There was no decorum or airs and graces;
this gave the whole environment a sense of liberation, an awareness of an
incredible newness, something unique and special with ideas that where
inclusive and at the same time, that quintessential accessibility to the
creators of the artworks too. Initially, unbeknown to me, this “Otherness” was
a door that I had been blindingly seeking my entire adult-life. Today, the
artists who are being bestowed grants and awards are simply over-qualified,
many have done their MFA, Masters in Fine Art, some have even gone as far as
doing PhD’s, so the whole idea of Africa is now leaning towards the academics,
the historians, the wealthy educated privileged and drifting quickly away from
supporting the true, original, raw and authentic impoverished artists. So, with
that in mind I wrote this today...
Wednesday, 9 May 2018
Are you Qualified to SPEAK?
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